Readers still love Charlotte Bronte’s Jane Eyre—and why not? The novel has every quality needed for total story immersion: a sympathetic heroine in plain, mistreated, brilliant, independent Jane; a dashing mysterious sexy romantic lead in Mr. Rochester; a spooky Gothic atmosphere and a chilling mystery; a host of villains in Aunt and John Reed, Mr. Brocklehurst, Blanche Ingram, and more; aides to the heroine, such as Helen, Mrs. Fairfax, and Jane’s cousins Mary and Diana; moral temptations, thrills, fires, courageous escapes, sorrow, and suspense. But beyond joyful immersion in a wonderful, well-told story, why would readers return to it again and again? Is it just a pretty romance? Today, Jane’s moral dilemmas and particular set of problems seem outmoded; so why does Jane Eyre still matter, in a more serious intellectual sense?