How to Read and Enjoy the Classics

Tag: close reading (Page 1 of 3)

Give Reading Poetry Another Try with Guided Reading Questions

Who says you can’t read poetry?  And why bother? Here’s why and how:

If I’ve heard it once, I’ve heard it a hundred times: “Poetry just isn’t my thing!”

My response to that: Don’t be so sure! Could it be that you just haven’t met the right poem?

I can well believe that some particular poem, or poet, is not your thing. Many famous poems are quite old, therefore using language that seems unfamiliar to modern readers. Even some poetry written after 1900 may be hard to understand, given that many 20th century writers followed a modernist aesthetic calling for experimental, strange, or highly figurative language. That kind of poetry might seem puzzling at first reading. If you’re not accustomed to poetic language of these kinds, reading poetry might not seem worth the effort.

However, classic and much beloved poems are hardly all alike. Many lovely poems are not that hard to understand; reading them can add meaning and beauty to your mental life.

Besides, making poetry is natural to the human mind: poetry is playing with language, finding meaningful and powerful ways of expressing ideas, and reveling in beautiful and interesting sounds of words. From the very beginning of language, people have naturally sought memorable words to capture, enshrine, and encourage contemplation of human experience.

Besides offering meaning, so many poems are just pretty—their pictures, their sounds, the feel of the words upon the tongue. Experiencing poetry taps into something primal and pleasurable in the human mind.

Whether you are poetry skeptic or poetry-loving enthusiast, I invite you to join me now for a little poetry read-along. Just below, I quote three different poems. Below each one is a series of guided reading questions I hope will help you understand and enjoy the poems more.

Want to play?

To get the most out of the process, read each poem a couple of times through, then get a piece of notepaper to jot down your own responses to the questions. I hope the little time it takes to think through the questions will bring each poem to life for you.

If  You Like:

When you’ve interpreted each poem for yourself, you can click the link or scroll down to the bottom of the article to see some of my responses to each question. I expect we won’t have all the same answers to every question, and that’s OK! Every reader has a personal response to every poem.

It doesn’t follow, though, that a poetic text can mean just anything at all. Words, even poetic ones, do communicate specific ideas. As you develop your ideas of what each poem is saying, test those ideas to see if they truly fit with the words, phrases, and references in the poem itself, as the writer seems to have used them.
One object of reading poetry, just like reading any literature, is to lend an open mind and ear to exactly what that writer is communicating to us, whether the idea is familiar to us or completely strange or new.

Ready to go on this guided poetry-reading adventure? If doing a slow and deep analysis is the sort of thing that just makes you nuts, no problem! Just choose some great poems and read away. You can skip to this post for suggestions about how to “Just Fall In,” or skim on down this post, leaping over the reading questions to take today’s poems direct and straight.

However, if you do want to come along on this guided poetry reading journey, read on!

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Poems Lamenting Love Lost: Is it Really Un-Valentine Poetry?

Silhouette of Man under tree shaped like heart with twilit background

The most well-known day to celebrate romantic love, Valentine’s Day, is upon us again, so it may be a bit contrarian to focus on poems about Love Lost.  But let’s be realistic: sometimes–a lot of times–love goes wrong; and probably, no theme inspires more heartfelt verse than Love Lost.

When Love is Lost, how do people respond? First may come lament, the long, unfettered howl of the broken heart.

Next we  might try to forget, deny, or just to cope somehow.

When forgetting seems impossible, we may do the opposite: linger on memories of Love Lost that we just can’t expunge.

Of course, there are beautiful, amazing poems for all of these phases. After lingering over a few of these poems, we might wonder: with all the misery that love can bring, would we just be better off without it? You won’t be surprised that there are excellent poems all about that too.

The pains of Love Lost have inspired so much lovely, wise, moving, and enduring poetry, I personally can’t wish to do away with all the pain. Let’s take a tour of a variety of poems focusing on Love Lost.

In the end, though love has caused plenty of pain to poets and non-poets alike, most of us can’t make up our mind to do without it. Ironically, that observation may be a truly appropriate Valentine’s Day sentiment.

Side note: if you want to read something a little more upbeat about love on Valentine’s Day, take a look at these two Valentine’s Day-appropriate posts:

Shakespeare’s As You Like It: Is Love Real? (Hint: Yes it is!)

All Kinds of Poems About Love

To continue the tour of Poems Lamenting Love Lost just continue reading.

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Shakespeare’s As You Like It: Is Love Real?

Painting of scene from As You Like It--Jester Touchstone talks to country lass Audrey in Arden forest.

Shakespeare’s As You Like It: Touchstone the Jester romances Audrey, the country lass.

As You Like It: Is Love Real? Learning and Laughing at  this and other Big Questions

How could a very old play about an imaginary forest where shepherds and shepherdesses tend their flocks, sing of love, and write poems on trees have anything to say about our lives in the 21st century?

Plenty, as I and my students repeatedly found—because this play, As You Like It, was written by the magnificent William Shakespeare. Shakespeare’s knowledge of the human heart shows as full and rich today as ever it did when As You Like It was first performed in 1599.

One reason I love this play so much is that it tells us something so many of us modern cynics need to hear today:

Love is real. Yes, it may be complicated, twisted, and strange–but ultimately, love  is good, and can truly be long-lasting.

Here’s another good message in this play:

Simplifying your life, taking it right down to the basics even for a short while, can help you gain self-knowledge and regenerate your soul.

Not that Love, or Anything, is Simple. . .

Of course neither message is presented as just that simple. As You Like It may be high on love, but also illustrates its negative aspects.

For one thing, love is not as nearly so “romantic” as poems and romance novels often describe it. People get mixed up, mistaking obsession, lust, or ambition for love. We call all kinds of relationships “love” that, in truth, really aren’t. And not all loves are going to last.

As You Like It also shows that a “simple” life in the country—living rough and leaving a “small footprint,” as we might call it today–isn’t always that simple, or even very pleasant. However, life in the sophisticated city doesn’t always offer the best life either.

For one thing, civilization isn’t always that civilized. “Civilized” people can treat each other with savagery. The best people struggle to keep their positions in society as the worst people strike out from behind false smiles.

Yet when all is said and done in Shakespeare’s comedy, after many witty dialogues by the characters and much laughter from the audience, As You Like It ends with some clear messages:

  • Though some folk are corrupt and selfish, there are good people in the world.
  • A simple country life, for all its hardships, has valuable lessons to teach.
  • Urban civilization, for all its corruptions, can also enrich people’s characters.
  • And. . . True Love, despite its complexities, is very much worth pursuing.

As You Like It: Part Parody 

It’s doubly fun and interesting that Shakespeare conveys these, and many other themes and ideas, through engaging in a a re-mix of another popular work: Thomas Lodge’s pastoral fiction RosalyndeAccording to Oxford’s Bodleian Library, “Thomas Lodge’s prose romance  Rosalynde: Euphues Golden Legacy  (first published 1590) is best known today as the major source for Shakespeare’s  As You Like It, but its own success is apparent from its numerous reprintings.”   As You Like It, coming along nine years after Rosalynde’s first printing, is both homage to and parody of Lodge’s pastoral fiction.

Shakespeare’s play follows many of the conventions popularized by Lodge’s work and other Renaissance pastoral romances,  in which well-born ladies and gentlemen leave their sophisticated lives at court to wander an idyllic forest and countryside among simple shepherds and shepherdesses.  (“Pastoral” means “country.”) In traditional pastoral, these fictional lads and lasses have little to do but discourse of love and woo one another from morning to night.   Thus,  Lodge’s work is lively and enchanting.    Shakespeare’s version of the pastoral in As You Like It, however, is as gritty, real, and elemental as it is charming and sweet.

Though funny and very entertaining, As You Like It goes well beyond Lodge’s Rosalynde in presenting a balanced view of the elemental questions about life and love.  Let’s take a closer look at As You Like It.

Shakespeare's As You Like It characters painted in forest scene.

Shakespeare’s forest of Arden in As You Like It. 1864 painting by John Edmund Buckley.

 

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Going Deeper: Five More Characterization Techniques; How to Read Fiction Step 4 Part 2

Barefoot young man wearing suspenders sits in wooden chair in middle of dirt road with book open on his head and book pages flying around him in the air. Characterization techniques help characters spring from pages as if real.

Characterization techniques help characters fly from the page. Readers experience them as if they are real people.

In “How to Read Fiction Step 4, Part 1,” we discussed four ways that writers create living characters in fiction, focusing on the four qualities readers are most likely to perceive first: Characterization Through Naming (1), Through Physical Description (2), Through “Tags” and Catchphrases (3), and Through Associated Objects (4). These characterization techniques give readers an immediate and forceful first impression of characters as they first meet them in fiction.

As readers read further and deeper into a tale, they encounter fuller and more subtle means of characterization. Narrators and other characters give readers guidance about main characters. Even more powerful, the characters reveal their own personalities and psyches through their own words and actions. Let’s wade in deeper to see how these techniques work to flesh out fully-developed characters.

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How Characterization Makes Characters Live: How to Read Fiction Step 4 Part 1

20th century typewriter in turquoise, shown with paper inserted and cup of coffee to the left--writer's characterization tools!

Words are the writer’s only tools for characterization in fiction. Just 26 letters can bring hundreds of characters to life.

Yours could be any one of thousands of great literary characters–Atticus Finch, Jo March, Sherlock Holmes, Elizabeth Bennet, Janie Crawford, Clarissa Dalloway, Jane Eyre, Holden Caulfield, Huckleberry Finn, Emma Bovary, Jay Gatsby, Raskolnikov, or the Artful Dodger; all serious readers have their favorites.

The characters in a novel or story are usually the first thing everyone wants to talk about. When I talk to excited readers about fiction they like, most people speak about the fictional characters as if they are real people:

“I love Lizzie Bennett’s independence, and she’s funny!”
“Holden Caulfield is a brat but I like the way he sees through all the fakiness.”
“Gatsby seems so romantic and so lonely.”
“I like watching Janie search so hard for her identity.”
“My heart goes out to Jane Eyre, she’s so mistreated!”

But of course, literary characters are not real people. Writers only make us feel as if they are. How do writers convey to readers the sense that their characters are actual human beings?

Writers use a multitude of clever methods to bring their characters to life. These characterization techniques sometimes vary according to literary fashion, and some endure through every era of storytelling. Learning to spot methods of characterization in fiction helps us come to a deeper understanding of the personality and psychology of a character as the writer conceived it. It also helps us see and enjoy themes or plot conflicts.

Even more, recognizing characterization techniques points out the degree of a writer’s skill, so we can see how one writer differs from another and appreciate excellent fictional artistry all the more.

Woman in Bookshop. Books are lining the walls and woman, wearing skirt, jacket, and light pack, is scanning shelves.

In one bookshop alone are thousands of characters for readers to meet and get to know through clever characterization techniques.

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Appreciate Plot Structure: How to Read Fiction Step 3

A very tall first hill of a red roller coaster reflects the structure of a fictional plot. Enjoy the ride, but also appreciate the plot structure.

Following a good plot can be as thrilling as riding this roller coaster. Go ahead and enjoy the ride, but also learn to appreciate the plot structure!

At least since Scheherazade wove 1,001 tales for King Shahryar, readers have fallen under the spell of master story-tellers. Though authors think a lot about how to craft their plots, readers don’t often give much thought to how a plot is built, beyond consuming it. We just love being on the roller coaster ride: What happens next? And next? How will the characters ever get out of that mess? And the next, even harder one? How will things turn out for the characters we come to care for?

What most readers want in plot is a fast-paced but also logical chain of events, including some twists and surprises. At story’s finish, everything should just feel right, as if events led to the place they naturally would. Enjoying and critiquing a plot of this familiar type feels easy and natural.

What happens, though, when a work we are reading doesn’t follow the typical plot conventions? Great literature often does not.

Roller coaster riders on this yellow coaster are enjoying the ride just as readers enjoy riding the structure of a good plot. But readers can appreciate plots on a deeper level too.

Riding the plot roller coaster is fun! But there are more ways to enjoy plot than just to consume it.

For one thing, some great works were written before plot as we know it was fully developed. Later writers of great fiction may experiment with plot structures or focus more on other elements of fiction like character or narrator perspectives. Some important works may even avoid bringing the plot to a firm finish or resolution, to make a point or for some other artistic purpose.

Such departures from convention may frustrate some readers who don’t expect them, making it hard for some who don’t find a fast-paced plot full of events, their favorite entry into a story. But unexpected or highly artistic uses of plot can be the very element that lifts readers to a more extraordinary aesthetic experience.

If you want the meaning and power of great literature to open up for you, it helps to consider and appreciate how a plot in fiction is built, not just read to find out what happens next.

The best plots don’t just grow; they are carefully built. Knowing the parts of a typical plot can help you see and enjoy when authors structure them well, or poorly, and also notice when they purposely avoid following conventional plot shapes.

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All Kinds of Poems About Love

Close-up of spray of brilliant pink bleeding heart flowers (shaped like hearts with white drop coming out of the bottom of bloom)

The blooms called “Bleeding Hearts.” Apt image for Love?

Wrestling with love–the falling, the feeling, and the losing–has probably sent more pens to paper than any other topic.  With Valentine’s Day on the horizon, It’s the perfect time to spend half an hour of shivers, sighs, and tears to savor some of our great poems about Love. In this post I’ll share some of my favorites from different poets and eras that offer multiple perspectives on “la grande passion.” If, however, no lucky star presides over your love life right now, and Valentine’s Day finds you in no mood to celebrate, despair not. A couple of selections here may just suit your mood.

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Happy Christ-tide: Milton’s Nativity Ode

Painting showing Nativity of Christ. Baby in manger center bottom, Mary and Joseph with folded hands behind and to left and right of baby. Small angels kneeling in foreground.

The Nativity of Christ by Francesco Francia. c. 1490.

By Guest Writer David E. Miller

“On the Morning of Christ’s Nativity,” affectionately called The Nativity Ode, is John Milton’s first great poem. The Nativity Ode is an elaborate carol1  that describes how the world, sinful and ashamed, became the reluctant site of Christ’s birth.  The poem begins and ends peacefully but contains a surprising, violent commotion in the middle, when all the shrines to pagan gods are paradoxically destroyed by the mere presence of a defenseless baby—Jesus. Such a startling combination of sensuous and shocking images could drown out more lightweight songs like “Frosty the Snowman” that radio stations play on a loop this time of year.

These days, not many people know much of, let alone have read Milton, the poet who wrote the famous work Paradise Lost. Some background: Milton lived from 1608 to 1674. Following the generation of great writers led by Shakespeare, he would have only been 7 years old when Shakespeare died in 1616. Milton was only 21 when he wrote The Nativity Ode.

Let’s take a closer look at this important writer’s first great poem.  You can read The Nativity Ode here. 

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How Ideas and Themes Shape Fiction: Reading Fiction Step 2

Young woman in white top leaning toward shelves of books in a library, gazing at a shelf and smiling.

One of the pleasures of reading the Greats: spotting the Themes.

To Kill a Mockingbird, War and Peace, The Grapes of Wrath, The Lord of the Rings, Murder on the Orient Express, whatever your current and longtime favorite fiction may be: where do such great stories come from? Whether a story comes largely from the writer’s imagination or directly from true life experience, great works of fiction are never just raw reports of events, whether real-life or imagined. Every fiction is shaped by a multitude of artistic choices designed to give readers an experience, a sense of craft, or even beauty. Often, a great novel or short story shares a new way of thinking about life. In fact, most fiction we cherish as classic is shaped by interesting and weighty ideas. To enjoy these works to the fullest, be on the lookout for ideas that guide the narrative—in other words, its Themes.

Let’s look at one example to see how the Themes, the ideas, can shape an author’s true and raw experience into a great work of fiction.

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Whitman’s “Song of Myself”: All of America in a Blade of Grass

Little girl wearing white lacy summer dress lying on green grass with long red hair spread out.

“A child said ‘What is the grass?’fetching it to me with full hands; / How could I answer the child?”*

In Whitman’s sweet and stunning poem Song of Myself,  first published in 1855, grass becomes the overarching symbol for the people of the new democratic America: common, plentiful, vigorous, and every one precious. Each time I read this work again, I am inspired, joyful, puzzled yet enlarged, and uplifted. I know of no other poem expressing such total love and acceptance for every kind of person, especially common American working people, embracing every kind of human experience, even every aspect of creation and the universe, from vegetation to animals to the cosmos.

However, not every reader has this experience when first attempting this strange and beautiful, yet down-to-earth, poem. Though written using everyday vocabulary completely free of traditional poetic structures, this poem may at first seem odd or hard to decipher.  For, as Robert Haas, critic and editor of Whitman’s work has written, “It was then and is now an astonishment, perhaps the most unprecedented poem in the English language. It is also an important document in the history of American culture.”

I would like every reader to have access to this remarkable multi-faceted, landmark work. Walk with me a while and let me see if I can share some ideas that will help orient you toward understanding and enjoyment of Song of Myself.

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