How to Read and Enjoy the Classics

Tag: Realism

Reading English Victorian Literature: A Brief Guide to the Classics

Archery was popular with Victorian women, one of the few sports considered proper for women. “The Fair Toxophilites” (lovers of archery) by William Frith.

The English Victorian era, dating from about 1832 to 1901, gave birth to many of the works we now call “classic,” some of the best literature ever written in English.

Now we think of the Victorian Age as quaint and old-fashioned, but in reality it was the era in which our own modern age began. The Industrial Revolution kicked into high gear, bringing rural workers from small villages to gather in big cities, shifting an economy formerly based on agriculture and handicraft industries into one based on high-volume manufacturing. The development of the Steam Railway system and the telegraph and, later, the telephone, connected people formerly divided by great distances, enabling the spread of modern culture.

In literature, the harvest of this period is rich. Victorian novels such as Middlemarch, Bleak House, and Tess of the D’Urbervilles still appear on critics’ lists of all-time best English novels. The last third of the century brought a flowering of new fictional genres: “sensation” fiction, science fiction, supernatural fiction, detective fiction, and adventure “lost world” fiction—genres that writers and readers still enjoy today.

Victorian poetry is no less famous, with works like Tennyson’s “The Lady of Shalott” and Browning’s “My Last Duchess” still anthology staples. Many poets continued the Romantic era focus on Nature and the Middle Ages, while adding a new fascination with the Italian Renaissance. Other poets focused on raising readers’ awareness of social problems, or pushed back against an over-mechanized and coarsening age, singing the glories of hand craftsmanship and “art for art’s sake.”

The end of the era brought great dramatists and playwrights, especially Oscar Wilde and George Bernard Shaw, who used side-splitting humor and irony to challenge over-earnest Victorian values they thought to be hypocritical.

Sunset by Samuel Palmer

What were the major “must-read” works of the English Victorian era, and what were they about? To see my picks, check out my annotated reading list (link below). It has comments and descriptions of major literary works of the English Victorian period.

Before you do that, however, you can click “read more” to stay with this post to learn a little more about the Victorian Age, its literary themes and forms, and the culture that informed its literature. This background will help explain the themes, ideas, and problems with which Victorian writers were concerned, all to help you read with more pleasure and understanding.

English Victorian Literature: An Annotated Bibliography

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Defoe and the Invention of Realism in the Novel

Shows featured author, Daniel Defoe

Daniel Defoe

Realism in the Novel is an old story today. But at the beginning of the eighteenth century, Realism was something new, and Daniel Defoe was one of the first writers to practice it.

In the early 1700s, a metamorphosis in English fiction writing took place. Fewer stories featured high-born princes and gorgeous ladies, clever rogues, or their slaves and minions. Instead, fiction focused more on clerks, maids, sailors, lawyers, bankers, bakers—realistic, ordinary people that an 18th century reader might actually meet.

Settings moved from vaguely described kingdoms lying somewhere in foreign lands to everyday places, like the streets of London or Colchester, or the inside of a shop, rooming house, or jail. Instead of characters who spoke in high-flown witty phrases manifesting extremes of emotion, fictional characters slowly began to talk more and more like real people.

Before the advent of this newer way of writing fiction, which became known as Realism, writers had not focused on providing “verisimilitude” to their tales. That is, they had not developed all the writerly techniques that make readers feel that a story could have happened in the factual world, the one they saw daily out of their windows.

But with Daniel Defoe’s publication of Robinson Crusoe in 1719 and Moll Flanders in 1722, “verisimilitude” is exactly what readers saw: fictions that seemed as real as actual memoirs or biographical accounts. In fact, many of Robinson Crusoe’s earliest readers believed that this fictional account was a true story. With Crusoe and Moll Flanders, and other novels to come, Daniel Defoe was helping invent something that seemed new: Realism and the Novel genre, which developed as showcase for the Realist’s techniques and aims.

Defoe made his storytelling in Crusoe feel real by basing its form on a popular memoir of an actual castaway, Alexander Selkirk. Defoe populated his faux-memoir Crusoe’s pages with numerous mundane details to make readers feel he was writing about the real world, not just dreaming up wild events in his imagination.

In Moll Flanders, the Defoe novel that I know the best, he continued to experiment and develop with techniques to make a story feel real, so much so that you can watch Defoe’s techniques develop and the story’s texture evolve as you read it from one end to the other.

To learn more about where Defoe got inspiration for this new way of writing, and how he invented and honed his Realism, come along for a closer look at Moll Flanders, and an important fictional predecessor to Defoe, a famous teller of sexy romantic tales, Aphra Behn. And before that, we’ll talk a bit about whether Realism is really a “thing,” and if so, where it might have come from.

“Before”–painting by William Hogarth

Links to Related Topics:

Reading Restoration and 18th Century English Literature: Background information

Timeline and Reading List: Restoration and 18th Century English Literature

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An open book lying on the grass, surrounded by fallen leaves, brings to mind the widespread focus on nature in the works of many writers during the American Romantic era.

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