Share
Book plate from an 1849 book on American History shows crowd of Pilgrims looking humorously self-satisfied. Like Hawthorne's view, this artist's view of Pilgrims was not entirely positive.

Pilgrim figures as imagined in 1849. Like Hawthorne, this artist did not see the Pilgrims as entirely positive.*

1917 Photo of Street in Salem, Massachusetts, suggesting what the town might have looked like in Hawthorne's Young Goodman Brown's day. Photo shows treelined street with New England 2-story style houses on left of the street. Black and White.

1917 Photo of Street in Salem, Massachusetts, suggesting what the town might have looked like in Goodman Brown’s day.*

SPOILER ALERT: Plot details will be mentioned. You may want to read the story first, if you haven’t already: “Young Goodman Brown” by Nathaniel Hawthorne, 1835.

Everyone who’s ever had a class on this story knows that Hawthorne’s “Young Goodman Brown” is an allegory, right? In an allegory, everything in the story stands for something else. Onto every character and many of the objects, we can pin a definite alternate meaning, an idea or a type of person or moral rule. In Hawthorne’s allegory, readers can enjoy picking out how Goodman Brown represents an ordinary, naïve young man, a newlywed who has always believed what adults have told him was true. His wife Faith represents his Puritan religious faith–of course,  since her name is “Faith” after all, and she wears those innocent pink ribbons in her hair. Click Here to Read More of This Post

Mary Jane is a longtime literature lover who lived in the Cincinnati area for many years, then in central Louisiana for three years (what a treat!), teaching literature classes at universities in both locations. Now back in the Cincinnati area, she pampers her grandchildren, experiments with cooking, and visits art museums as often as possible.

Share